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| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Brahms, Johannes | [Oktaven und Quinten u. a., aus dem Nachlaß. hrsg. v. Heinrich Schenker, Universal Edition, Wien 1944] |
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 | 2. | Williams, Becket (arr.) | Mortify us by thy grace, from cantata no.22. arranged for 2 pianos. - London: Oxford University Press, [s.a.] [BWV 22/5] |
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 | 3. | Hurford, Peter; Williams, Peter F. | Approaches to Bach Performance and Scholarship, then, now, next Lecture given at 'Bach Artist Craftsman Harmonist': An International Celebration of the Music of J. S. Bach 1685-1750, London & St Albans 26 November - 2 December 2000 |
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| | 4. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. In: Three classical minuets / arranged as piano duets by Patrick Williams. - London: Leonard, Gould & Bolttler, c1949. 7p. Pl.-Nr.: L.G. & B. 10066. |
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 | 5. | Grimsted, Patricia Kennedy | Bach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. http://www.huri.harvard.edu/workpaper/grimsted/SingAka.html |
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| | 6. | Williams, Gerrard (arr.) | Sixth Organ Sonata in G. Transcribed for violin and piano by Gerrard Williams. - London: Schott & Co, 1923. [BWV 530] |
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| | 7. | Williamson, John Finley (ed.) | Planets, Stars, and Airs of Space ... [Ihr Gestirn', ihr hohen Lüfte] For Four-part Chorus of Mixed Voices ... English version by F. H. Martens ... Edited by J. F. Williamson. - New York: G. Schirmer, 1931. [BWV 476] |
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| | 8. | Williamson, John Finley (ed.) | I stand beside the Manger Stall. [Ich steh' an deiner Krippen hier] For Four-part Chorus of Mixed Voices ... English version by F. H. Martens ... Edited by J. F. Williamson. - New York: G. Schirmer, 1931. [BWV 469] |
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| | 9. | Williams, Peter | Tuning and Temperament. (An excerpt from Peter Williams' J.S. Bach: A Life in Music, Cambridge University Press, 2007, pp. 333-338) http://www.bach-cantatas.com/Articles/WilliamsTuning.pdf |
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| | 10. | Grimsted, Patricia Kennedy | Bach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. http://www.huri.harvard.edu/pdf/Grimsted_Bach_Back.pdf |
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| | 11. | Kühmstedt, Friedrich | Gradus ad Parnassum oder Vorschule zu Seb. Bach's Clavier- und Orgelcomposisionen in Praeludien und Fugen durch alle Dur- und Molltonarten für Orgel und Pianoforte: opus 4. componirt ... von Fr. Kühmstedt. - Mainz: B. Schott's Söhnen. [1839-1845]. 1-4 Lieferungen. Pl.-Nr. 5557 (pp.2-13), 5651.2 (pp.14-25), 5715.3 (pp.26-39), 6020.4 (pp.40-51), 6583.5 (pp.52-65), 7140.6 (pp.66-79), 7862.7 (pp.80-93), 8727.8 (pp.94-107). - repr. c.1875. | 107p |
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| | 12. | Williams, Becket (arr.) | Suite for two pianos / Bach [1. Gavotte (from 5th French suite) -- 2. Minuets 1 & 2 (from 1st partita) -- 3. Fugue (from 8 short Preludes and Fugues for organ)] arranged by Becket Williams. - London: Oxford University Press, [c.1937] 11, 11p. (= The Anglo-French series of easier two-piano pieces) | 11, 11p |
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 | 13. | Thomson, Andrew | The Life and Times of Charles-Marie Widor, 1844-1937. Oxford: Oxford University Press, 1987. 116p. | 116p |
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| | 14. | Williams, Peter F. | Figured Bass Accompaniment. Edinburgh: Edinburgh University Press, 1970. in 2 vols. [8], 117p; [6],131p. ISBN: 0-85224-054-6; 0-85224-055-4 | 117, 131p |
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| | 15. | Lehms, Georg Christian | Historische Beschreibung der weltberühmten Universität Leipzig: nebst einigen remarquablen Sachen und erlittenen fatis, wie auch einer völligen Nachricht von ihrem am 4. December des 1709. Jahres solenn celebrirten Dritten Jubel-Feste. Leipzig: Gleditsch; Weidmann, 1710. [2] Bl., 119, [1]p, [2] Bl.: 2 Ill. | 119p |
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| | 16. | Dahms, Walter | Johann Sebastian Bach. Ein Bild seines Lebens. zusammengestellt von Walter Dahms. München: Musarion Verlag, 1924. 123p. | 123p |
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| | 17. | Thomson, Beatrice Leslie | Four Musicians. Sketches of Handel, Bach, Haydn, Mozart. London: Sheldon Press, 1929. 124p. | 124p |
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| | 18. | Williams, Peter F. | Playing the organ works of Bach: Some case studies. New York: American Guild of Organists, 1987. 128p. [collection of essays first appeared in The American Organist during 1983-85] | 128p |
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| | 19. | Ziemssen, Ludwig | Johann Sebastian Bach: ein Lebensbild für Deutschlands Jugend. 2. Aufl. - Glogau: Flemming, [1889]. 128p. (= Carl Flemming's vaterländische Jugendschriften, 11) | 128p |
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| | 20. | Vaughan Williams, Ralph (ed.) | Jesus Took to Him the Twelve. English translation by J. Steuart Wilson, edited for the Bach Choir by R. Vaughan Williams. - London: Goodwin and Tabb, c1921. 12p. [Two choruses: 1. But They Understood Not; 2. O Loose Us from Our Bondage. - BWV 22/1+5] | 12p |
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| | 21. | Williamson, John Finley (ed.) | All breathing Life, sing and Praise ye the Lord. Finale from the Motet Sing ye to the Lord. For Four-part Chorus of Mixed Voices ... Edited by J. F. Williamson. - New York: G. Schirmer, 1931. 12p. (= G.S. 8vo Choruses, No. 7407. Westminster Choir series, No.1) [BWV 225] | 12p |
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| | 22. | Williams, Gerrard (arr.) | Fugal Kyrie (pianoforte fugue no.4 of the '48') / Bach Arranged for unaccompanied Double Chorus, S. S. A. T. B., by G. Williams. - London: W. Paxton & Co, 1927. 12p. [BWV 849/2] | 12p |
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| | 23. | Ziemssen, Ludwig | Johann Sebastian Bach. Translated from German of Ludwig Ziemssen by George P. Upton. - Chicago: A.C. McClurg & co., 1905. 133p. (= Life stories for young people.) | 133p |
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| | 24. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. In: Three classical minuets. Set 2 / arranged as piano duets by Patrick Williams. - London: Leonard, Gould & Bolttler, c1951. 13p. Pl.-Nr.: L.G. & B. 10111. | 13p |
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| | 25. | Brahms, Johannes (arr.) | CHACONNE von J. S. Bach. Für die linke Hand allein bearbeitet. Leipzig: Bartholf Senff; London: Augener & Co., [1879] 2-15p. Pl.-Nr.: 1395. (= Studien für das Pianoforte von Johannes Brahms, No. V) - repr. Berlin: Simrock. Pl.-Nr. 1394; later edn. Pl.-Nr. 21395. [BWV 1004/5] | 15p |
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| | 26. | Williams, Walter (ed.) | Out of the Depths I Cry to Thee = Aus tiefer Noth schrei' ich zu dir; chorus and choral from Cantata No. 38. English version by Catherine Winkworth, edited, and the organ part arranged,.by the Rev. Walter Williams. - Boston: E. C. Schirmer [c.1938]. 18p Pl.-Nr.: E.C.S.N°. 692. (= St. Dunstan's Edition, No. 1246) [BWV 38] | 18p |
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| | 27. | Hohenemser, Richard (ed.) | Zwölf zwei- und dreistimmigen kleine Stücke für die Flöte oder Violine und das Klavier (1770) / Carl Philipp Emanuel Bach. Mit Einführung neu hrsg. von Richard Hohenemser. [Partitur, Stimmen] - Berlin: Breslauer, 1928. 18p + 2 St. (= Veröffentlichungen der Musik-Bibliothek Paul Hirsch, 9) [Wq 82] | 18p + 2 St |
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| | 28. | Williams, Patrick (arr.) | J.S. Bach's organ toccata and fugue in D minor. arranged for two pianos, four hands / by Patrick Williams. - London: Bosworth, c1947. 19, 19p. Pl.-Nr.: 21021. [BWV 565] | 19, 19p |
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| | 29. | [Brahms, Johannes] (ed.) | Sonate für zwei Claviere componirt von Wilh. Friedemann Bach. [hrsg. von Johannes Brahms]. Preis LThlr. 20 Ngr. - Leipzig u. Wintherthur. J. Rieter-Biedermann [1864]. 2-19p. Best.-Nr.: 340. Pl.-Nr. 340,a. [Fk 10 = BWV Anh. 188] | 19p |
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| | 30. | Williamson, John Finley (ed.) | What can Life be but a Shadow ... [by Johann Bach] [Unser Leben ist ein Schatten] Motet for Two Mixed Choruses, nine parts, or for Six-part Mixed Chorus a cappella. English version by W. J. Wager ... Edited by J. F. Williamson. - New York: G. Schirmer, 1937. 19p. | 19p |
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| | 31. | Brahms, Johannes; Martienssen, Carl Adolf (eds.) | Sonata in F major for two pianos, four hands / W. F. Bach. Ed. by J. Brahms. Newly rev. by C. A. Martienssen. [Partitur] - New York City, NY: International Music Company, 1947. 20, 20p. Best.-Nr. 884. Pl.-Nr. 884. [Fk 10 - BR WFB A 12] | 20, 20p |
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| | 32. | Dahms, Walter | Mendelssohn. Berlin: Schuster & Loeffler, [1919]. 202p. | 202p |
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| | 33. | Rimsky-Korsakow, Nicolas | Six Variations sur le thème B-A-C-H ; op. 10. par Nicolas Rimsky-Korsakow 1878. [To Anatoly Konstantinovich Lyadov] - Leipzig: M. P. Belaieff, 1878. 21p. Pl.-Nr. 224. (= Valse, Intermezzo, Scherzo, Nocturne, Prelude et Fugue); later edn. Moscow: Muzgiz, 1959. Pl.-Nr. M. 27401; new edn. Moscow: Muzyka, 1988, pp.212-233. Pl.-Nr. 13901. (= Russkaia fortepiannaia muzyka, 4) | 21p |
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| | 34. | Helms, Siegmund; Schneider, Reinhard | Große Chorwerke. Werkanalyse in Beispielen. Bosse, 1994, 230p. | 230p |
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| | 35. | Williams, Peter F. | A New History of the Organ from the Greeks to the Present Day. London: Faber & Faber; Bloomington, Indiana, 1980. 233p | 233p |
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| | 36. | Williams, Peter F. | The Chromatic Fourth. During Four Centuries of Music. New York: Oxford Univ. Press, 1998. 272p. ISBN: 0-19-816563-3. | 272p |
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| | 37. | Williams, Canon Walter (ed.) | Wie schön leuchtet der Morgenstern = How Brightly Shines yon Morning Star, two choruses for mixed voices from Cantata No. 1 ... English version by Charles Sanford Terry, edited ... by Canon Walter Williams. - Boston: E. C. Schirmer [c.1933]. 29, [3]p Pl.-Nr.: E.C.S.N°. 693. (= St. Dunstan Edition, No. 1247) [BWV 1] | 29p |
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| | 38. | Williams, Becket (arr.) | Gigue: (from an Organ Trio) / J. S. Bach Arrange for 2 pianos by Becket Williams. - London: Bosworth & Co., c1935. 2-3, 2-3p. Pl.-Nr.: B. & Co. 18878. (= Four pieces, 3) [BWV 597/2 (Anh. II)] | 3, 3p |
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| | 39. | Williams, Becket (arr.) | Trio in C minor [from short organ trio] / J.S. Bach Arranged for two pianofortes, four Hands by Becket Williams. - London: Bosworth, [1933] 3, 3p. Pl.-Nr.: B. & Co. 18795. (= Two pieces, 2) [BWV 585/2] | 3, 3p |
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| | 40. | Williams, Becket (arr.) | Concerto no. 1 for organ (1st movement) / J. S. Bach arranged for two pianofortes four hands by Becket Williams. - London: Bosworth & Co, 1933. 3, 3p. Pl.-Nr.: B.& Co. 18794. (= Two pieces, 1) [BWV 592/1] | 3, 3p |
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| | 41. | Williams, Peter F. | The European Organ 1450-1850. London: Batsford, 1966. 336p. - 3/1978. ISBN: 0713407530. | 336p |
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| | 42. | Williams, Peter F. | The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) Univ. press Cambridge 1980, x, 357p. | 357p |
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| | 43. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. Aus dem Englischen von Caroline Schneider-Kliemt. - Mainz: Schott, 2000. 365p. ISBN: 3-7957-1855-4. | 365p |
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| | 44. | Williams, Patrick (arr.) | Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] Simple arrangement for piano by Patrick Williams. - London: Bosworth & Co, [1958] 3p. | 3p |
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| | 45. | Williams, Becket (arr.) | HUMBLE US BY THY GOODNESS = Ertödt' uns durch dein' Güte: from Cantata No. 22 / J. S. Bach Arranged for Organ by Becket Williams. - London: Oxford University Press, c1931. [1]-3p. [BWV 22/5 in B-flat] | 3p |
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| | 46. | Williams, Gerrard (arr.) | Aria from Suite in D / J.S. Bach arranged by Gerrard Williams. - London: Metzler, c1922. 3p + 2 St. Pl.-Nr.: M. 670. (= Metzler's trio series for pianoforte, violin and violoncello, No. 25) [BWV 1068/2] | 3p + 2 St |
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| | 47. | Röder, Matthias; Adams, Sarah (eds.) | The century of Bach and Mozart. Perspectives on historiography, composition, theory & performance. Harvard College library exhibitions on the occasion of an conference dedicated to Professor Christoph Wolff; September23 - December 23, 2005. Houghton Library - Matthias Röder and Eda Kuhn Loeb Music Library - Sarah Adams. Harvard: Harvard University, 2005. 40p | 40p |
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| | 48. | Kühmstedt, Friedrich (ed.) | DIE KUNST DES VORSPIELS oder die Kunst der Entwickelung eines musikalischen Motivs zu einem musikalischen Satzganzen für ORGEL UND PIANOFORTE ; Opus 6. componirt und angehenden Componisten und Organisten gewidmet von FRIED. KÜHMSTEDT, Musikdirektor in Eisenach. 1ter Theil. - Mainz, Antwerpen und Brüssel: B. Schott's Söhnen. [1842] 1 ('Vorerinnerung', mit 'Eisenach im April 1842'), 2-41p. Preis: 1 fl. 48 Fr. Best.-Nr./Pl.-Nr.: 6789. | 41p |
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| | 49. | Williams, Peter F.; Owen, Barbara | The Organ. Macmillan, 1988. 438p. ISBN: 0-393-02555-1; 0-393-30516-3. (= New Grove Musical Instruments) | 438p |
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| | 50. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. Aus dem Englischen von Gudrun Budde. - Mainz: Schott Musik International, 1996. 441p. | 441p |
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| | 51. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. Aus dem Englischen von Gudrun Budde. - Mainz: Schott Musik International, 1998. 476p. ISBN: 3-7957-1854-6 | 476p |
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| | 52. | Williams, Becket (arr.) | JESU, MEINE FREUDE: Choral Prelude from the Motet, 'Jesu, Joy and Treasure' / J.S. Bach Arranged for organ by Becket Williams. - [London]: Oxford University Press, c1932. [1]-4p [BWV 227/9 'Gute Nacht, o Wesen'] | 4p |
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| | 53. | Williams, W. S. Gwynn (ed.) | Suscepit Israel = He succoured Israel = Cynhaliodd Israel: trio for S.S.A. from 'Magnificat' / Johann Sebastian Bach. Ed. and arr. by W. S. Gwynn Williams ; [words from] Luke 1,54 ; the translations by W. S. Gwynn Williams. - Llangollen: Gwynn, c1959. 4p. Pl.-Nr.: 2065 G.P.C. [BWV 243/10] | 4p |
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| | 54. | Williams, Becket (arr.) | Trio in G (from Sonata for Gamba) / J. S. Bach arr. by Becket Williams. - London: Bosworth & Co., c1935. 5, 5p. Pl.-Nr.: B. & Co. 18879. (= Four pieces, 4) [BWV 1028/4] | 5, 5p |
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 | 55. | Jost, Christa; Darmstadt, Gerhart | Zu Robert Schumanns Bearbeitung der 3. Violoncello-Suite Joh. Seb. Bachs für Violoncello und Klavier. In: 10. Tage für Alte Musik Kassel. 'Querstand' - eine Festschrift, hrsg. von Winfried Michel. Münster, 1996, p. 52-75. | 52-75 |
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| | 56. | Williams, Peter F. | J. S. Bach: Ein Leben in der Musik. Aus dem Engl. von Clemens Brunn. - Berlin: Osburg Verlag, 2008. 575p. ISBN-10: 3-940731-08-0; ISBN-13: 978-3-940731-08-1. | 575p |
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| | 57. | Brahms, Johannes (arr.) | PRESTO nach J.S. Bach. Erste Bearbeitung. Leipzig: Bartholf Senff; London: Augener & Co., [1879] 2-5p. Best.-Nr.: Pl.-Nr.: 1393. (= Studien für das Pianoforte von Johannes Brahms, No. III) [BWV 1001/4, arr.] | 5p |
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| | 58. | Brahms, Johannes (arr.) | PRESTO nach J.S. Bach. Zweite Bearbeitung. Leipzig: Bartholf Senff; London: Augener & Co., [1879] 2-5p. Pl.-Nr: 1394. (= Studien für das Pianoforte von Johannes Brahms, No. IV) [BWV 1001/4, arr.] | 5p |
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| | 59. | Williams, Gerrard (arr.) | Brandenburg concerto no. 3, 1st movement (condensed) / J.S. Bach arranged by Gerrard Williams. - London: Metzler, c1922. 6p + 2 St. Pl.-Nr.: M. 670 [or 668?]. (= Metzler's trio series for pianoforte, violin and violoncello, No. 23) [BWV 1048/1] | 6p + 2 St |
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| | 60. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. In: Three classical dances: for piano / with optional second piano part composed by Patrick Williams. - London: Bosworth & Co., c1955. 7p. Pl.-Nr.: B. & Co. Ltd. 21625. | 7p |
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| | 61. | Williams, Gerrard (arr.) | Prelude and fugue in G ma. For Organ: PRELUDE / J.S. Bach arranged for piano, four hands, by Gerrard Williams. - London: Oxford University Press, c1927. 7p. (= Oxford piano series, P89 Grade E) [BWV 541/1] | 7p |
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| | 62. | Williams, W. S. Gwynn (ed.) | Dona nobis pacem = Grant Thou to us Thy peace = Dyro inni heddwch: chorus for SATB from Mass in B minor / Johann Sebastian Bach. [Vocal score] edited and translated by W. S. Gwynn Williams. - Llangollen: Gwynn Pub.Co., c.1949. Pl.-Nr.: 3041 G.P.C. [BWV 232/25] | 7p |
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| | 63. | Williams, Becket (arr.) | Adagio ma non troppo ... Arranged for two pianofortes, four hands, by Becket Williams. - London: Bosworth & Co, [1953] 7p. [BWV 1051/2] | 7p |
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| | 64. | Wurmser, Lucien (ed.) | Fantasia II pour piano par Ph. E. Bach. Edition nouvelle Revue, doigtée et nuancée par Lucien WURMSER. - Paris: Philipp, 1900. 7p. Pl.-Nr.: P.2042. (= Éditions de concours) | 7p |
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| | 65. | Williams, Becket (arr.) | ERTÖDT' UNS DURCH DEIN' GÜTE! (Humble us by Thy Goodness) from Cantata No. 22. / J. S. BACH. Arranged for Two Pianos by BECKET WILLIAMS. -. London: Oxford University Press, 1930. 8, 8p. [BWV 22/5] | 8, 8p |
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| | 66. | Williams, Gerrard (arr.) | Prelude and fugue in G major. Fugue / J.S. Bach arranged for piano, four hands, by Gerrard Williams. - London: Oxford University Press, c1927. 9p. (= Oxford piano series, P90 Grade E) | 9p |
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| | 67. | Krams, Peter | Wechselwirkungen zwischen Orgelkomposition und Pedalspieltechnik auf den Pedalklaviaturen verschiedener Bauart, untersucht an exemplarischen Orgelkompositionen vom 16. Jahrhundert bis zur Gegenwart. [Diss. Universität Frankfurt a.M., 1973] Wiesbaden: Breitkopf& Härtel. 1974. 199p | viii, 199p |
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| | 68. | Williams, Peter F. | The Life of Bach. Cambridge Univ. Press, 2004. viii, 219p. ISBN: 0-5221-82636-5 / 0-521-53374-0. (= Musical Lives) | viii,219p |
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| | 69. | Williams, Peter F. | The Organ Music of J. S. Bach. Second Edition. Cambridge: Cambridge Univ. Press, 2003. x, 624p. ISBN: 0521814162. | x, 624p |
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| | 70. | Lehms, Georg Christian | Gottgefälliges Kirchen-Opffer. In einem gantzen Jahr-Gange Andächtiger Betrachtungen über die gewohnlichen Sonn- und ... - Darmstadt: Bachmann, 1711. x, 85p. | x, 85p |
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| | 71. | Abdy Williams, Charles Francis | Bach. With Illustration and Portraits. - London: J. M. Dent; N.Y.: E. P. Dutton, 1900. xi, 223p. 2/1903, 3/1906, 4/1921. (= The Master Musicians. ed. by Frederick J. Crowest) - Newly revised and edited by Eric Blom, 1934. xiii, 239p. (= The Master Musicians. New Series) | xi, 223p |
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| | 72. | Williams, Peter F. | J.S. Bach: A Life in Music. Cambridge: Cambridge University Press, 2007. xi, 405p. ISBN: 0-521-87074-7. - 2nd ed. 2012. xi, 405p. ISBN: 978-0-521-30683-6. | xi, 405p |
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| | 73. | Williams, Peter | Bach: A Musical Biography. Cambridge: Cambridge University Press, 2016. xiv, 704p. ISBN 978-1-107-13925-1. | xiv, 704p |
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| | 74. | Williams, Peter F. | The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). Univ. press Cambridge 1980, 365p. | 1 | 365p |
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| | 75. | Williams, Peter F. | The Organ Music of J. S. Bach. III: A Background. Univ. press Cambridge 1984, 309p. | 3 | 309p |
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| | 76. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--I. | AmerOrganist(2) | 17 | 1 | 45-47 |
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| | 77. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. | AmerOrganist(2) | 17 | 3 | 50-52 |
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| | 78. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? | AmerOrganist(2) | 17 | 9 | 42-47 |
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| | 79. | Williams, Peter F. | Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. | AmerOrganist(2) | 18 | 2 | 38-39 |
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| | 80. | Williams, Peter F. | Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. | AmerOrganist(2) | 18 | 9 | 44-45 |
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| | 81. | Williams, Peter F. | Some Tercentenary Questions for the Performer. | AmerOrganist(2) | 19 | 1 | 42-46 |
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| | 82. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. | AmerOrganist(2) | 19 | 2 | 56-57 |
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| | 83. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. | AmerOrganist(2) | 19 | 3 | 118-119 |
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| | 84. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. | AmerOrganist(2) | 19 | 4 | 82-84 |
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| | 85. | Williams, Peter F. | Suggestions for Playing the Works of Bach--IX: The Italian music. | AmerOrganist(2) | 19 | 5 | 74-75 |
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| | 86. | Williams, Peter F. | Suggestions for Playing the Works of Bach--X: The Transcriptions. | AmerOrganist(2) | 19 | 6 | 44-46 |
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| | 87. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. | AmerOrganist(2) | 19 | 7 | 56-58 |
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| | 88. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. | AmerOrganist(2) | 19 | 8 | 38-40 |
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| | 89. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. | AmerOrganist(2) | 19 | 9 | 62-64 |
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| | 90. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? | AmerOrganist(2) | 19 | 10 | 117-119 |
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| | 91. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. | AmerOrganist(2) | 19 | 11 | 91-93 |
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| | 92. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? | AmerOrganist(2) | 19 | 12 | 60-62 |
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| | 93. | Williams, Peter F. | Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. | AmerOrganist(2) | 20 | 6 | 63-64 |
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| | 94. | Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. | Bach | 13 | 2 | 6-16 |
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| | 95. | Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. | Bach | 13 | 3 | 12-19 |
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| | 96. | Armstrong, Joe (trans.) | The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach. | Bach | 41 | 1 | 32-96 |
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| | 97. | Williams, Peter | What is it to Write a Biography of J. S. Bach? | Bach | 45 | 1 | 1-14 |
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| | 98. | Helms, Marianne | Kantaten und Oratorien des Bach-Festes. | Bachfest | 48 | [Nürnberg] | 70-75 |
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| | 99. | Helms, Marianne | Kantaten und Lieder aus Schemellis Gesangbuch. | Bachfest | 61 | [Duisburg] | 112-127 |
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| | 100. | Helms, Siegmund | Johannes Brahms und Johann Sebastian Bach. | BachJb | 57 | 13-81 |
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| | 101. | Williams, Peter F. | J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? Summary in English (p.174), French (p.176), Russian (p.178) and Czech (p.180). | BachJb | 68 | 131-142 |
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| | 102. | Williams, Peter F. | Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? Kleine Beiträge. | BachJb | 72 | 123-125 |
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| | 103. | Williams, Peter F. | Public Executions and the Bach Passions. http://www.americanbachsociety.org/Newsletters/BachNotes02.pdf | BachNotesABS | 2 | 1-4 |
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| | 104. | Williams, Simon | A New (Bach?) Organ for St George's, Hanover Square in London. | BachNotesLBS | [5] |
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| | 105. | Williams, Peter F. | French overture conventions in the hands of the young Bach and Handel. | BachStud | 1 | 183-193 |
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| | 106. | Williams, Peter F. | Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. [Zwei Fallstudien über Aufführungspraxis und Notation. Übers. aus dem Engl. Katalin Komlós] | BachTanulmanyok | 4 | 5-41; 25-41 |
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| | 107. | Williams, Peter F. | The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. | BaslerJbHistMpraxis | [Sonderband] | 230-240 |
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| | 108. | Williams, Peter F. | Johann Sebastian Bach and the Basso Continuo. | BaslerJbHistMpraxis | 18 | 67-86 |
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| | 109. | Darmstadt, Gerhart | Zur Begleitung des Rezitativs nach deutschen Quellen des 18. Jahrhunderts: Eine Dokumentation. | BaslerJbHistMpraxis | 19 | 75-158 |
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| | 110. | Williams, Peter F. | Bach Organ Music. London: British Broadcasting Corporation, 1972. R/1974. 71p. ISBN: 0563103485. - Seattle: University of Washington Press, [1972]. ISBN: 0295951990. (= BBC music guide, 20) | BBCMGuides | 20 | 71p |
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| | 111. | Williams, Peter F | Was J. S. Bach an expert on organs? | BibDeputStoriaUmbria | 6 |
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| | 112. | Williams, Peter F. | Playing and studying Bach: Where next? | BIOSJ | 24 | 80-92 |
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| | 113. | Williams, Peter | Some remarks on organs, organ-playing and the studying of music. [Headings in the article: A Bach testimonial [of Altnickol and Krebs]; Some early English attitudes; Some comparisons: England and Baroque France; A further comparison: Baroque Germany; Some general remarks on curricula] | BIOSJ | 28 | 6-25 |
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| | 114. | Helms, Siegmund; Hopf, Helmuth (eds.) | Werkanalyse in Beispielen. Regensburg: Bosse, 1986. 423p. ISBN: 37-649-2276-1; 3764922761. (= Bosse-Musik-Paperback, 27) | BosseMPaperback | 27 | 423p |
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| | 115. | Helms, Siegmund; Schneider, Reinhard (eds.) | Werkanalyse in Beispielen: Grosse Chorwerke. Regensburg: Bosse, 1994. 230p. ISBN: 3-7649-2472-1. (= Bosse-Musik-Paperback, 52) | BosseMPaperback | 52 | 230p |
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| | 116. | Riemsdijk, J. C. M. van | Bach en de Bachvereeniging. Fantasio en Riehl. [Met citaten uit Riehl's 'Sebastian Bachs Clavierwerke in der Gegenwart', wordt Fantasio's standpunt aangevallen] | Caecilia | 28 | 16 | 142-143 |
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| | 117. | Williams, Peter F. | Bach: The Goldberg Variations. Cambridge: Cambridge Univ. Press, 2001. 101p. ISBN: 0-521-80735-2; 0-521-00193-5. (= Cambridge music handbooks) | CambridgeMHandb | 101p |
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| | 118. | Williams, Simon | Leipzig: The Cradle of German Acting. Chapter 5. | [ce]AstonMagnaAcademy | 191-206 |
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| | 119. | Vaughan Williams, Ralph (arr.) | Choral and choral prelude: 'Ach, bleib bei uns, Herr Jesu Christ' = 'Now cheer our hearts this eventide' / J. S. Bach. For Harriet Cohen. Freely arranged for Pianoforte by R. Vaughan Williams. [BWV 649] | [ce]BachBookForCohen | 10 | 25-29 |
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| | 120. | Williams, Peter F. | Orugan Kyoku. [Organ Music] | [ce]BachJiten | 294-298 |
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| | 121. | Simms, Bryan R. (ed.) | Pro mundo-pro domo: The writings of Alban Berg. New York, NY: Oxford University Press, 2014. xiii, 444p. ISBN: 978-0-19-976406-8; 0-19-976406-9. | [ce]Berg | xiii, 444p |
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| | 122. | Williams, Peter F. | 'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. | [ce]BHSTercentenaryEssays | 327-346 |
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| | 123. | Williams, Peter F. | Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985. xiv, 363p. | [ce]BHSTercentenaryEssays | xiv, 363p |
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| | 124. | Samson, Jim (ed.) | The Cambridge companion to Chopin. Cambridge: Cambridge University Press, 1992. xi, 341p. ISBN: 0-521-40490-8. | [ce]CambridgeCompanion_Chopin | xi, 341p |
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| | 125. | Samson, Jim (ed.) | The Cambridge history of nineteenth-century music. Cambridge: Cambridge University Press, 2002. xv, 772p. ISBN: 0-521-59017-5. | [ce]CambridgeHist19cM | xv, 772p |
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| | 126. | Williams, Peter F. | Are we any closer to understanding Bach, the organist and organ-composer? | [ce]IAOMillenniumBook | 1-14 |
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| | 127. | Williams, Peter F. | The Snares and Delusions of Notation: Bach's Early Organ Works. | [ce]JSBOrganist | 274-294 |
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| | 128. | Williams, Peter F. | Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? | [ce]KeyboardInBaroqueEurope | 140-156 |
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| | 129. | Darmstadt, Gerhart | Die dritte Violoncello-Suite Johann Sebastian Bachs mit einer hinzugefügten Klavierbegleitung von Robert Schumann. Eine Sendung für den Süddeutschen Rundfunk. | [ce]ProvokationTradition | 347-364 |
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 | 130. | Thomson, Virgil | Master of distortion and exaggeration. [Review of a recital by Vladimir Horowitz, pianist, on 6 March 1942 at Carnegie Hall, performing J.S. Bach's toccata in C major, two Bach chorales, etc. The review appeared in the New York herald tribune on 7 March 1942] | [ce]Thomson | 191-193 |
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| | 131. | Thomson, Virgil | Rhythmic grandeurs. [Review of a recital by Wanda Landowska, harpsichordist, on 21 February 1942 at Carnegie Hall, performing Bach's 'Goldberg' variations] | [ce]Thomson | 204-206 |
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| | 132. | Thomson, Virgil | A shower of gold. [Review of a recital by Wanda Landowska, harpsichordist, on 21 October 1942 at Town Hall, New York City, performing Jean-Philippe Rameau's suite in E minor, Johan Jakob Froberger's Lament composed in London to dispel melancholy, and three works by J.S. Bach, including the partita in B-flat major. The review appeared in the New York herald tribune on 22 October 1942] | [ce]Thomson | 206-207 |
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| | 133. | Thomson, Virgil | In tune, but not with the infinite. [Review of a recital by Isaac Stern, violin, and Alexander Zakin, piano, on 11 January 1944 at Carnegie Hall, performing, among other works, Beethoven's sonata no. 7 (op. 30, no. 2), Bach's partita in D minor, Vieuxtemps' concerto no. 5, and Debussy's sonata in G minor. The review appeared in the New York herald tribune on 12 January 1944] | [ce]Thomson | 222-223 |
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| | 134. | Thomson, Virgil | Hymns of tribulation and rejoicing. [Review of a concert by the Bach Choir of Bethlehem, Ifor Jones, conductor, with the Moravian Trombone Choir, and members of the Philadelphia Orchestra, on 16 May 1942, as part of a two-day Bach Festival, at Packer Memorial Chapel, Lehigh University, Bethlehem, Pennsylvania. The concert included performances of Bach cantatas no. 19 (Es erhub sich ein Streit), 146 (Wir müssen durch viel Trübsal), and 180 (Schmücke dich, o liebe Seele), the motet, 'Komm, Jesu, komm' (BWV 229), the Magnificat, BWV 243, and part 4 of the Weihnachtsoratorium. Performers included T. Edgar Shields (organist), Gretchen Newhart Iobst (pianist), Ruth Diehl (soprano), Saida Knox (contralto), Hardesty Johnson (tenor), and Mack Harrell (baritone). The review appeared in the New York herald tribune on 16 May 1942] | [ce]Thomson | 230-231 |
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| | 135. | Thomson, Virgil | Harvard fair but no warmer. [Review of a concert by the Harvard Glee Club and Radcliffe Choral Society, G. Wallace Woodworth, conductor, on 30 March 1941, at Town Hall, New York City, performing, among other works, Gustav Holst's Dirge for two veterans, Thomas Tallis's Lamentations of Jeremiah, William Byrd's 'Juustorum animae,' 'Dona nobis pacem' from the Mass in B minor by J.S. Bach, Constant Lambert's Rio Grande, the opening scene of Verdi's Otello, and choruses from Johann Strauss's La reine indigo. William W. Austin was the features soloist (piano). The review appeared in the New York herald tribune on 31 March 1941] | [ce]Thomson | 238-239 |
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| | 136. | Thomson, Virgil | Transcriptions. [Originally published in the New York herald tribune on 4 June 1944 and subsequently published in The musical scene (1945)] | [ce]Thomson | 276-278 |
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| | 137. | Thomson, Virgil | Wrestling and shadow boxing. [Review of a concert by the New York City Symphony, Leonard Bernstein, conductor, on 19 November 1945, at the New York City Center, performing J.S. Bach's Brandenburg concerto no. 3, Darius Milhaud's La création du monde, and Schumann's symphony no. 2. The review appeared in the New York herald tribune on 20 November 1945] | [ce]Thomson | 324-325 |
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| | 138. | Thomson, Virgil | Money's worth. [Review of a recital by pianist Alexander Brailowsky, on 5 December 1945, at Carnegie Hall, performing the Bach-Busoni toccata and fugue in D minor, Hummel's Rondo favori, Liszt's sonata in B minor, Brahms's intermezzo in B-flat minor, the Mendelssohn-Rachmaninoff scherzo from A midsummer night's dream, Debussy's Reflets dans l'eau, Ravel's Toccata, and seven works by Chopin. The review appeared in the New York herald tribune on 6 December 1945] | [ce]Thomson | 336-337 |
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| | 139. | Thomson, Virgil | The noble style. [Review of a recital by pianist Alexander Borovsky, on 17 March 1947 at Carnegie Hall, performing, among other works, the Bach-Liszt organ prelude and fugue, Beethoven's 32 variations on an original theme, Chopin's sonata in B-flat minor, two Messiaen preludes, Prokofiev's Danza and Sarcasm, two Rachmaninoff preludes, and Liszt's Sonnetto del Petrarcha no. 104 and Étude transcendante no. 10. The review appeared in the New York herald tribune on 18 March 1947] | [ce]Thomson | 337-338 |
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| | 140. | Thomson, Virgil | In the first category. [Review of a recital by pianist Maryla Jonas on 7 December 1946, at Carnegie Hall, performing Handel's Passacaglia, Michelangelo Rossi's Andantino in G major, Haydn's Variations in F minor, W.F. Bach's Capriccio, Mozart's Rondo in D, Schubert's sonata no. 3 and impromptu no. 3, and six works by Chopin. The review appeared in the New York herald tribune on 8 December 1946] | [ce]Thomson | 340-341 |
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| | 141. | Thomson, Virgil | Incomparable Chopin. [Review of a recital by pianist Guiomar Novaes on 26 October 1946, at Carnegie Hall, performing Chopin's sonata in B-flat minor and works by Bach, Scarlatti, Beethoven, Albéniz, Camargo Guarnieri, and Isador Philipp. The review appeared in the New York herald tribune on 27 October 1946] | [ce]Thomson | 341-342 |
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| | 142. | Thomson, Virgil | Warm welcome. [Review of a recital by pianist Myra Hess on 12 October 1946, at Town Hall in New York City, performing Bach's French suite no. 5, Beethoven's Six variations on a theme in F major, op. 34 and the sonata in A-flat, op. 110, and Brahms's sonata in F minor. The review appeared in the New York herald tribune on 13 October 1946] | [ce]Thomson | 343-344 |
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| | 143. | Thomson, Virgil | Too fast for brilliance. [Review of a recital by pianist of Simon Barere on 18 November 1946, at Carnegie Hall, performing, among other works, Bach's Chromatic fantasia and fugue, Liszt's Knomenreigen, the Gounod-Liszt waltz from Faust, and Chopin's Fantasie in F minor and Andante spianato et grande polonaise. The review appeared in the New York herald tribune on 19 November 1946] | [ce]Thomson | 346-347 |
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| | 144. | Thomson, Virgil | Sound without fury. [Review of a recital by pianist Aleksandr Yuninskij on 17 January 1945, at Carnegie Hall, performing Schumann's Carnaval, six pieces by Chopin, and works by Scarlatti, Bach, Debussy, and Stravinsky. The review appeared in the New York herald tribune on 18 January 1945] | [ce]Thomson | 347-348 |
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| | 145. | Thomson, Virgil | Young man, why so serious? [Review of a recital by pianist Webster Aitken on 20 January 1945, at Town Hall, New York City, performing Bach's Toccata in C minor, Mozart's Rondo in A minor, and Beethoven's 'Diabelli' variations. The review appeared in the New York herald tribune on 21 January 1945] | [ce]Thomson | 348-349 |
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| | 146. | Thomson, Virgil | Intensity and brains. [Review of a recital by pianist, Rosalyn Tureck on 12 November 1945, at Town Hall, New York City, performing preludes and fugues from Bach's Well-tempered clavier, Mozart's sonata in C major, Beethoven's sonata no. 23, op. 57 ('Appassionata'), the Copland piano sonata, and Brahms's Variations and fugue on a theme by Handel. The review appeared in the New York herald tribune on 13 November 1945] | [ce]Thomson | 349-350 |
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| | 147. | Thomson, Virgil | Young but not romantic. [Review of a recital by pianist Sidney Foster on 18 October 1944 at Carnegie Hall, performing the Bach-Liszt Organ fantasia and fugue, Brahms's Variations and fugue on a theme by Handel, five études by Chopin, Prokofiev's Valse from War and peace and Suggestion diabolique, Norman Dello Joio's Prelude: To a young musician, two Mexican dances by Paul Bowles, and three pieces by Liszt. The review appeared in the New York herald tribune on 19 October 1944] | [ce]Thomson | 351-352 |
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| | 148. | Thomson, Virgil | Musical badminton. [Review of a recital on 8 November 1944, at Town Hall, New York City, by Vera Appleton and Michael Field, piano duo, performing works by Mozart, W.F. Bach, Bartók, Debussy, Anis Fuleihan, Khachaturian, Strauss, and Liszt. The review appeared in the New York herald tribune on 9 November 1944] | [ce]Thomson | 355-356 |
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| | 149. | Thomson, Virgil | Costume party. [Review of a recital by Pierre Luboshutz and Genia Nemenoff, piano duo, on 26 January 1945, at Town Hall, New York City, performing works by Bach, Brahms, Schubert, Mendelssohn-Bartholdy, Boris Koutzen, Rossini, Grecaninov, and Wallingford Riegger. The review appeared in the New York herald tribune on 27 January 1945] | [ce]Thomson | 356-357 |
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| | 150. | Thomson, Virgil | New high. [Review of a recital by Arthur Gold and Robert Fizdale, piano duo, on 15 February 1946, at Town Hall, New York City, performing J.C. Bach's Duetto in F major, Satie's Trois morceaux en forme de poire, the piano sonatas of Paul Bowles, Igor Stravinsky, and Alexei Haieff, Virgil Thomson's Five inventions, one of John Cage's Three dances for prepared piano, and three waltzes from Vittorio Rieti's Second Avenue waltzes. The review appeared in the New York herald tribune on 16 February 1946] | [ce]Thomson | 358-359 |
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| | 151. | Thomson, Virgil | Definitive renderings. [Review of a recital by harpsichordist Wanda Landowska on 19 November 1944, at Town Hall, New York City, performing Couperin's Passacaille, Rameau's Gavotte and doubles in A major, Bach's French suite in E major, Mozart's sonata in D major (played on piano), the Vivaldi-Bach concerto in D major, and Bach's Italian concerto in F major. The review appeared in the New York herald tribune on 20 November 1944] | [ce]Thomson | 359-361 |
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| | 152. | Thomson, Virgil | Strings bowed; strings plucked. [Review of a joint recital on 1 November 1944 at Kaufmann Auditorium of the 92nd Street YMHA, New York, by violinist Alexander Schneider and harpsichordist Ralph Kirkpatrick, performing two sonatas by Bach and three by Mozart. The review appeared in the New York herald tribune on 2 November 1944] | [ce]Thomson | 364-365 |
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| | 153. | Thomson, Virgil | Good goods. [Review of a recital by Zino Francescatti, violinist, and Artur Balsam, piano, on 8 April 1947, at Carnegie Hall, performing Fauré's sonata in A major, Ravel's Berceuse and Tzigane, Bach's Chaconne, Stravinsky's Duo concertant, and three pieces by Fritz Kreisler. The review appeared in the New York herald tribune on 9 April 1947] | [ce]Thomson | 367-368 |
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| | 154. | Thomson, Virgil | New era. [Review of a recital by Roman Totenberg, violinist, on 18 November 1944, at Carnegie Hall, performing Bach's sonata in E minor, Mozart's concerto in G major, Debussy's violin sonata, three new pieces by Lukas Foss ('Early song,' 'Dedication,' and 'Composer's holiday'), the Szymanowski-Kochanski Chanson polonaise, Paganini's Caprice no. 17, and two pieces by Pablo de Sarasate. Artur Balsam and Lukas Foss were accompanists for the recital. The review appeared in the New York herald tribune on 19 November 1944] | [ce]Thomson | 370-371 |
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| | 155. | Thomson, Virgil | King of the gypsies. [Review of a recital by Tossy Spivakovsky, violinist, and Frank Glazer, piano, on 11 December 1946, at Carnegie Hall, performing Giovanni Battista Viotti's Adagio in E major, Beethoven's sonata no. 9, op. 47 ('Kreutzer'), Bartók's Four Rumanian folk dances, Copland's Ukulele serenade, Paganini's La campanella, three Chopin études in the violinist's own transcriptions, and two works by Bach. The review appeared in the New York herald tribune on 12 December 1946] | [ce]Thomson | 372-373 |
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| | 156. | Thomson, Virgil | Majestic but inefficient. [Review of a concert by the Bach Choir of Bethlehem, Ifor Jones, conductor, with members of the Philadelphia Orchestra and E. Power Biggs, organist, on 18 February 1946, at Carnegie Hall, performing Bach's Mass in B minor, with soloists Ruth Diehl (soprano), Lilian Knowles (contralto), Lucius Metz (tenor), Calvin Marsh and Edwin Steffe (basses)] | [ce]Thomson | 424-426 |
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| | 157. | Thomson, Virgil | In the royal style. [Review of a concert by the Collegiate Chorale, Robert Shaw, conductor, with a chamber orchestra and Ernest White, organist, on 28 January 1947, at Hunter College Auditorium, performing Bach's Mass in B minor, with soloists Anne McKnight and June Gardner (sopranos), Lydia Summers (contralto), Lucius Metz (tenor), and Paul Seymour Matthen (baritone). The review appeared in the New York herald tribune on 29 January 1947] | [ce]Thomson | 426-427 |
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| | 158. | Thomson, Virgil | A touching occasion. [Review of a concert by the Baltimore Symphony Orchestra, Reginald Stewart, conductor, on 5 February 1947, at Carnegie Hall, performing Bach's fugue in C major and 'Kom süsser Tod', etc. The review appeared in the New York herald tribune on 6 February 1947.] | [ce]Thomson | 481-482 |
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| | 159. | Thomson, Virgil | Modern piano playing. [Review of a recital by pianist Yvonne Léfébure, on 14 November 1948, at Town Hall, New York City, performing Mozart's fantasy in D minor, the Bach-Liszt prelude and fugue in A minor, etc. The review appeared in the New York herald tribune on 15 November 1948] | [ce]Thomson | 634-635 |
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| | 160. | Thomson, Virgil | Beauty, distinction, mastery. [Review of a recital by violinist Nathan Milstein and pianist Artur Balsam on 17 November 1947, at Carnegie Hall, performing, among other works, Anton Stamitz's Adagio and Rondo, Bach's partita in D minor, etc. The review appeared in the New York herald tribune on 18 November 1947] | [ce]Thomson | 638-639 |
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| | 161. | Thomson, Virgil | Violence and virtuosity. [Review of a recital by Erica Morini (violin) and Leon Pommers (piano) on 28 November 1947, at Carnegie Hall, performing Handel's Larghetto, the Vivaldi-Respighi sonata in D major, Bach's Chaconne, etc. The review appeared in the New York herald tribune on 29 November 1947] | [ce]Thomson | 640-641 |
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| | 162. | Thomson, Virgil | Virtuoso makes music. [Review of a recital by Pierre Fournier (cello) and George Reeves (piano) on 13 November 1948, at Town Hall, New York City, performing Bach's Nun komm der Heiden Heiland and suite no. 6, etc. The review appeared in the New York herald tribune on 14 November 1948] | [ce]Thomson | 641-642 |
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| | 163. | Thomson, Virgil | Brilliant and diffuse. [Review of a recital by Gregor Piatigorsky (cello) and Ralph Berkowitz (piano) on 19 March 1948, at Carnegie Hall, performing Boccherini's sonata in C major, Bach's prelude and fugue in C minor (from the cello suite no. 5 'Discordable'), etc. The review appeared in the New York herald tribune on 20 March 1948] | [ce]Thomson | 642-643 |
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| | 164. | Thomson, Virgil | Gloomy masterpiece. [Review of a concert by the Philharmonic-Symphony Orchestra, Dimitri Mitropoulos, conductor, on 15 December 1949, at Carnegie Hall, performing Weber's overture to Der Freischütz, Bach's violin concerto in G minor, etc. The soloist was Joseph Szigeti (violin). The review appeared in the New York herald tribune on 16 December 1949] | [ce]Thomson | 676-678 |
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| | 165. | Thomson, Virgil | Bach goes to church. [Review of a concert by the Cantata Singers, Arthur Mendel, conductor, with Ralph Kirkpatrick, harpsichord, and Heinz Arnold, organ, on 30 December 1940 at the Unitarian Church of All Souls, New York, performing J.S. Bach's Weinachtsoratorium, with soloists Rose Dirman (soprano), Jean Bryan (contralto), Donald Dame (tenor), and Paul Seymour Matthen (bass)] | [ce]Thomson | 69-70 |
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| | 166. | Thomson, Virgil | Glorious organ-playing. [Review of a recital by organist Jeanne Demessieux on 22 March 1953, at Central Presbyterian Church, New York City, performing two of her own compositions and works by Bach, Händel, Liszt, and Dupré. The review appeared in the New York herald tribune on 23 March 1953] | [ce]Thomson | 839-840 |
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| | 167. | Thomson, Virgil | Irresistible. [Review of a recital by violinist Nathan Milstein and pianist Artur Balsam on 14 December 1953, at Carnegie Hall, performing Bach's sonata in A minor, etc. The review appeared in the New York herald tribune on 15 December 1953] | [ce]Thomson | 867-868 |
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| | 168. | Thomson, Virgil | Technique and taste. [Review of a recital by pianist Charles Rosen on 3 November 1953, at Town Hall, New York City, performing two Bach fugues; etc. The review appeared in the New York herald tribune on 4 November 1953.] | [ce]Thomson | 931-932 |
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| | 169. | Vaughan Williams, Ralph | Bach and Schumann. [Originally published in The vocalist 1/3 (1902), this essay discusses Schumann's statement about the influence of J.S. Bach and Jean Paul on his music.] | [ce]VaughanWilliamsOnMusic | 129-132 |
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| | 170. | Vaughan Williams, Ralph | Bach cantatas. [Program note for a performance of three Bach cantatas by the Bach Choir, conducted by Vaughan Williams, at Central Hall, Westminster, on 14 December 1921.] | [ce]VaughanWilliamsOnMusic | 401-402 |
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| | 171. | Vaughan Williams, Ralph | Bach, St. Matthew passion. [Program note for a performance by the Bach Choir and the London Symphony Orchestra, conducted by Vaughan Williams, at Queen's Hall, London, on 7 March 1923.] | [ce]VaughanWilliamsOnMusic | 405-406 |
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| | 172. | [Page, Anne; Ramsey, Basil] | Bach is best. Anne Page follows this precept. In conversation with Basil Ramsey she discusses teaching and learning. | ChoirOrgan | 4 | 3 | 15-16 |
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| | 173. | Thomson, Kemer | An interview with Joel Speerstra. | ClavichordInternat | 9 | 1 | 2-4 |
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| | 174. | Williams, Peter F. | Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? | Concerto | 2 | 4 | 41-48 |
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| | 175. | Adams, Howard C. | The Contemporizing of Scripture in the Cantatas of Johann Sebastian Bach. | ContributStudMDance | 19 | 5-9 |
[cr]Hofstra1985 | ||
| | 176. | Adams, Sarah (ed.) | Six Symphonies for Baron van Swieten / Carl Philipp Emanuel Bach. Edited by Sarah Adams. - Los Altos, CA: Packard Humanities Institute, 2006. xxiv, 100p. ISBN: 1-933280-05-0; 978-1-933280-05-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 2) [Wq 182/1-6 - H 657, 658, 659, 660, 661, 662] | CPEBachCW | 3 | 2 | xxiv, 100p |
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 | 177. | Adams, Sarah (ed.) | Symphonies for Baron van Swieten, Wq 182/2-6 [Facsimile] Edited by Sarah Adams. - Los Altos, CA: Packard Humanities Institute, 2015. xii, 95p. ISBN: 978-1-938325-42-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series III Supplement) [Wq 182/2-6] | CPEBachCW | 3 | Suppl | xii, 95p |
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| | 178. | Williams, Patrick (arr.) | Air: (better known as the Air on the G string) / J. S. Bach arranged for organ by Patrick Williams. - London: J. B. Cramer & Co., c1950. 3p. Pl.-Nr.: J.B.C. & Co. 15714. (= Cramer's library of organ music by British & foreign composers, no. 35) [BWV 1068/2] | CramersLibOrgM | 35 | 3p |
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| | 179. | Williams, Patrick (arr.) | Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. Arranged for the organ by Patrick Williams. - London: J. B. Cramer & Co., c1951. 9p. Pl.-Nr.: J.B.C. & Co. 15741. (= Cramer's library of organ music by British & foreign composers, no. 37) [BWV 140/4] | CramersLibOrgM | 37 | 9p |
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| | 180. | Williams, Patrick (ed.) | Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. Edited by Patrick Williams. - London: J. B. Cramer, c1953. 11p. Pl.-Nr.: J.B.C. & Co Ltd 15881. | CramersLibOrgM | 49 | 11p |
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| | 181. | Williams, Patrick (arr.) | Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. Arranged for organ by Patrick Williams. - London: J. B. Cramer & Co, c1955. 2-7p. Pl.-Nr.: 15971. (= Cramer's Library of Organ Music by British & foreign Composers, no. 65) [BWV 244/68] | CramersLibOrgM | 65 | 7p |
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| | 182. | Williams, Patrick (arr.) | 'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach Arranged for the organ by Patrick Williams. - London: J. B. Cramer & Co, c1973. 8p. Pl.-Nr.: J.B.C. & Co. Ltd. 16329. (= Cramer's Library of Organ Music by British & foreign Composers, no. 109) [BWV 68/2 in F] | CramersLibOrgM | 109 | 8p |
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| | 183. | Gingras, Bruno; McAdams, Stephen; Schubert, Peter N. | The performer as analyst: A case study of J.S. Bach's 'dorian' fugue BWV 538. | [cr]Graz2008 | 305-318 |
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| | 184. | Williams, Peter | French Elements in Bach. | [cr]McGill1981 | 13-19 |
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| | 185. | Williams, Peter F. | Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [Reflections on the emergence of the 2/4 meter in the early 18th century] | [cr]Metz1994 | 85-98 |
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| | 186. | Williams, Peter F. | Need Organists Pay Attention to Theorists of Rhetoric? | Diapason | 73 | 4:869 | 3-4 |
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| | 187. | Adams, Gwen E. | Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1. | Diapason | 76 | 7:908 | 9-11 |
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| | 188. | Hohenemser, Richard | Joseph Joachim: * 28. Juni 1831 zu Kittsee, † 15. August 1907 in Berlin. | DieMusik | 23 | 9 | 641-644 |
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| | 189. | Hohenemser, Richard | Brahms und die Volksmusik. | DieMusik | 25 | 8 | 599-601 |
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 | 190. | Williams, Peter J. | The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. MA diss., University of Leeds, 1977. | diss. |
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| | 191. | Adams, Robert Michael | Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. MM diss., North Texas State Univ., 1981. 2v. | diss. |
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| | 192. | Williamson, Barry Scott | A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). DMA diss., The University of Texas at Austin, 1993, 107p | diss. | 107p |
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| | 193. | Adamson, J. Philip I. | Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. DM dissertation, Piano Performance and Literature. Indiana University, 1973. 150p | diss. | 150p |
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| | 194. | Williams, Janet Leslie | An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. MM diss., Duquesne University, 1969. 169p | diss. | 169p |
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| | 195. | Umstaedt, Monica Johanna | The Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries. DMA diss., Performance, Columbus, Ohio, Ohio State University 1980. 177p. | diss. | 177p |
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| | 196. | Hawthorne, Walter Williams | J. S. Bach's Inventions and Sinfonias: an Analysis. PhD diss., Univ. of Cincinnati, 1980. 197p. | diss. | 197p |
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| | 197. | Lambert, Arthur Adams | The keyboard partitas of J. S. Bach: A study of background, text, and interpretation. PhD diss., Musicology, State Univ. of Iowa 1961, 292p. (Ann Arbor Microfilms. No. 61-5587) | diss. | 292p |
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| | 198. | Clarke, J. Williams | Interpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. University of Washington 1971. 85 gez. Bl. | diss. | 85p |
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| | 199. | Adams, David William | 'Modern' Organ Style in Karl Straube's Reger Editions. PhD diss., Amsterdam: Vrije Universiteit, 2007. xiv, 222p. | diss. | xiv, 222p |
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| | 200. | Darmstadt, Hans | Johann Sebastian Bach - Johannes-Passion, BWV 245. Analysen und Anmerkungen zur Kompositionstechnik: Mit aufführungspraktischen und theologischen Notizen. Dortmund: Klangfarben Musikverlag, 2009. 229p. ISBN: 978-3-932676-16-1 (= Dortmunder Bach-Forschungen, 10) | DortmundBachF | 10 | 229p |
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| | 201. | Darmstadt, Hans | Johann Sebastian Bach - Messe in H-Moll: BWV 232, Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen. Dortmund: Klangfarben-Musikverlag, 2012. 387p. ISBN: 978-3-932676-17-8. (= Dortmunder Bach-Forschungen, 11) | DortmundBachF | 11 | 387p |
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| | 202. | Darmstadt, Hans | Johann Sebastian Bach: Matthäus-Passion, BWV 244. Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen. Dortmund: Klangfarben Musikverlag, 2015. 503p. ISBN 978-3-932676-18-5. | DortmundBachF | 12 | 503p |
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| | 203. | Williams, Peter F. | Some further Thoughts. | DortmundBachF | 6 | 371-388 |
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| | 204. | Williams, Peter F. | Hints for performance in J. S. Bach's 'Clavierübung' prints. | EarlyKeyboardJ | 5 | 29-44 |
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| | 205. | Williams, Peter F. | J. S. Bach's Well-tempered Clavier: A new approach. | EarlyM | 11 | 1, 3 | 46-52; 332-339 |
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| | 206. | Williams, Peter F. | J. S. Bach: Mass in B minor. Recordings. | EarlyM | 12 | 1 | 137,139,141 |
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| | 207. | Williams, Peter F. | Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? | EarlyM | 12 | 3 | 345-354 |
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| | 208. | Williams, Peter F. | A chaconne by Georg Böhm: a note on German composers and French styles. | EarlyM | 17 | 1 | 43-54 |
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| | 209. | Williams, Peter F. | Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. | EarlyM | 21 | 4 | 613-622 |
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| | 210. | Williams, Peter F. | Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. [BWV 534/1; 572; 553; 541; 548; 566; 572; 739; 829] | EarlyM | 22 | 1 | 101-113 |
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| | 211. | Williams, Peter F. | BWV 565: A toccata in D minor for Organ by J.S. Bach? | EarlyM | 9 | 3 | 330-337 |
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| | 212. | Brahms, Johannes (arr.) | Chaconne aus der Partita II in d-moll für Viioline von Johann Sebastian Bach für die linke Hand allein bearbeitet von Johannes Brahms. (veröffentlicht 1879). - Wiesbaden: Breitkopf & Härtel [1927, R/1980] [2]-15p. Best.-Nr.: J. B. 72. (= Edition Breitkopf, 6018) [BWV 1004/5] | EdBreitkopf | 6018 | 15p |
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| | 213. | Brahms, Johannes (arr.) | Presto nach J. S. Bach, 1. und 2. Bearbeitung: Studien für Pianoforte Nr. 3 & 4. Leipzig: Breitkopf & Härtel, [1928]. 9p. (20-27p). Best.-Nr.: Edition Breitkopf Nr. 6019. [BWV 1001/4, arr.] | EdBreitkopf | 6019 | 9p |
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| | 214. | Williams, Peter F. (ed.) | Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. Hrsg. v. Peter Williams. [Studienpartitur] - London [u.a.]: Eulenburg, c1986. xxxviii, 51p. Best.-Nr. Ed. Eulenburg 1390. Pl.-Nr. EE 6756. ISMN: M-2002-1111-5. [BWV 1079] | EdEulenburg | 1390 | xxxviii, 51p |
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| | 215. | Williams, Peter F. (ed.) | Kunst der Fuge / Johann Sebastian Bach. Ed. by Peter Williams. [Studienpartitur] - London [u.a.]: Eulenburg, c1986. xlvi, 138p. Best.-Nr. Ed. Eulenburg 1391. Pl.-Nr. EE 6755. [BWV 1080] | EdEulenburg | 1391 | xlvi, 138p |
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| | 216. | Brahms, Johannes; Martienssen, Carl Adolf (eds.) | Sonate für 2 Klaviere zu 4 Händen (Concerto a duoi cembali concertati) / Wilh. Fr. Bach. Hrsg. von Johannes Brahms. Auf Grund des Autogr. neu rev. von C. A. Martienssen. [Partitur] - Leipzig: Peters, 1833. R/[19]54. 20, 20p. Best.-Nr. Ed. Peters 4284. Pl.-Nr. 11176. [Fk 10 - BR WFB A 12] | EdPeters | 4284 | 20, 20p |
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| | 217. | Brahms, Johannes; Mayer-Mahr, Moritz (eds.) | Studien für Klavier. Neuausg. von M. Mayer-Mahr. - Mainz [u.a.]: Schott, c1922. 41p. Best.-Nr. Ed. Schott 1426. Pl.-Nr.: 32050. [Enth. u.a.: Presto nach J. S. Bach (1. und 2. Bearbeitung [BWV 1001/4, arr.]. Chaconne von J. S. Bach (Für die linke Hand allein bearbeitet) [BWV 1004/5, arr.] | EdSchott | 1426 | 41p |
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| | 218. | Williams, Peter F. | Towards a close reading of Carl Philipp Emanuel Bach. | FestschriftSer | 13 | 143-156 |
[fs]Mann | ||
| | 219. | Lamsa, Katharina | Die Wunder der Polyphonie: Masaaki Suzuki dirigiert als Gast zur Eröffnung der Bachwoche die Messe h-Moll mit Gächinger Kantorei und Bach-Collegium Stuttgart. [Ein Interview mit Masaaki Suzuki] | ForumBachAkad | 63 | 9-10 |
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| | 220. | Williams, Peter F. | The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' | [fs]Fisk | 267-282 |
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| | 221. | Bromse, Peter | Harmonische Analyse als Erkenntnismittel form-inhaltlicher Interpretation. [Harmonic analysis as a heuristic device for understanding form and content.] - [BWV 232 Credo] | [fs]Graml70 | 130-142 |
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| | 222. | Williams, Peter F. | Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. | [fs]Owen | 53-71 |
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| | 223. | Williams, Peter F. | Recent questionable approaches to J. S. Bach. | [fs]Tagliavini70 | 553-572 |
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| | 224. | Williams, Peter F. | The music of J.S. Bach: excerpts from the writings of Peter Williams. | [fs]Williams70 | 371-381 |
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| | 225. | Tergau-Harms, Christine | Gottesdienst zum Selber machen mit Chorälen des Weihnachtsoratoriums. | GemeinsamGottesdGestalten | 11 | 322-330 |
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| | 226. | Arnold, Jochen; Tergau-Harms, Christine (eds.) | Kleiner Gottesdienst - weiter Raum. Hannover: LVH, Lutherisches Verlagshaus, 2009. 403p. ISBN: 978-3-7859-0990-4. (= Gemeinsam Gottesdienst gestalten, 11) | GemeinsamGottesdGestalten | 11 | 403p |
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| | 227. | Mommsen, Katharina | Ein Gedicht Goethes zu Ehren von Johann Sebastian Bach? Pladoyer für seine Echtheit | GoetheJb | 113 | 161-178 |
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| | 228. | Williams, Peter F. | The Musical Aims of J. S. Bach's 'Clavierübung III'. | [gs]Dart | 259-278 |
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| | 229. | Williams, Becket (arr.) | Kleine Orgel Fuge, G moll: zwei Klaviere vierhändig = Little organ fugue, G minor two pianos, four hands / Bach [Heading title (p.2): Organ Fugue in G minor / Johann Sebastian Bach ; arranged by Christopher à Becket Williams]. - London: Hinrichsen Edition, c1939, R/1950. 2-8p. Best.-Nr. 65. Pl.-Nr. 65. (= Hinrichsen Edition 65) [BWV 578] | HinrichsenEd | 65 | 8p |
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| | 230. | Williams, Peter F. | Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? | JAmerMInstrSoc | 11 | 38-54 |
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| | 231. | Williamson, Rosemary | Sterndale Bennett's Lost Piano Concerto Found. | JRMA | 119 | 1 | 115-129 |
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| | 232. | Lehmstedt, Mark | 'Es steckt dem weiblichen Geschlecht kein Spinngeweb in dem Gehirne' Christiana Mariana von Ziegler. | LeipzigerBl | 38 | 68-69 |
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| | 233. | Vaughan Williams, Ralph | Bach, the Great Bourgeois. | Listener | 170 |
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| | 234. | Rumsey, David | Bach and Numerology: 'Dry Mathematical Stuff'? | LitAesth | 7 | 143-165 |
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| | 235. | Williamson, John (ed.) | Words and Music. Edited by John Williamson. - Liverpool: Liverpool University Press, 2005. viii, 258p. ISBN: 0853236194. (= Liverpool music symposium, 3) | LiverpoolMSymposium | 3 | viii, 258p |
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| | 236. | Helms, Siegmund | Zahlensymbolic in der Musik Johann Sebastian Bachs. | MBildung | 2 [61] | 3 | 113-116 |
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| | 237. | Lehmann-Wermser, Andreas | 'Allerhand Figuren und Zergliederungen': Carl Philipp Emanuel Bachs Fantasie C-Durim Unterricht erleben. | MBildung | 34 | 4 | 18-25 |
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| | 238. | Darmstadt, Gerhart | Wege zu Bachs Air: 'Gewaltfrei!' | MBildung | 38 | 4 | 34-43 |
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| | 239. | Vaughan Williams, Ralph | Bach, the Great Bourgeois. | MBook | 7 | 277-282 |
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| | 240. | Vaughan Williams, Ralph | Bach, the great bourgeois. | MDigest | 17 | 1-6 |
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| | 241. | Hohenemser, Richard | J. K. F. Fischer als Klavier- und Orgelkomponist. | MhMges | 34 | 9, 10, 11 | 154-163; 167-176; 183-189 |
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| | 242. | Helms, Siegmund | Zahlen in J. S. Bachs Matthäus-Passion. | MKirche | 40 | 1, 2 | 18-27; 100-110 |
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| | 243. | Darmstadt, Gerhart | Kurz oder lang? Zur Rezitativbegleitung im 18. Jahrhundert | MKirche | 50 | 3 | 130-134 |
| |
| | 244. | Darmstadt, Gerhart | Zur Aufführungspraxis der Johannes-Passion Johann Sebastian Bachs. | MKirche | 53 | 4 | 202-208 |
| |
| | 245. | Darmstadt, Hans | '... soll Erd und Luft entzogen werden'. Untersuchungen zum harmonischen Gerüst dreier Rezitative aus der Matthäus-Passion von Johann Sebastian Bach. | MKirche | 62 | 2 | 79-87 |
| |
| | 246. | Darmstadt, Hans | Meine Bach-Kantate I: Hans Darmstadt über 'Herr, deine Augen sehen nach dem Glauben' BWV 102. für meine Lübecker Kirchenmusik-Student/innen. | MKirche | 70 | 1 | 46-47 |
| |
| | 247. | Darmstadt, Hans | Orpheus-Klage und 'Zerfließe'-Arie: Ikonographische und analytische Anmerkungen zu Strawinskys 'Orpheus'-Ballett. | MKirche | 75 | 2 | 106-113 |
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| | 248. | Williams, Peter F. | J. S. Bach and English Organ Music. | MLetters | 44 | 2 | 140-151 |
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| | 249. | Williams, Peter F. | Basso continuo on the Organ. | MLetters | 50 | 1, 2 | 136-152; 230-245 |
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| | 250. | Adams, H. M. | Passion Music Before 1724. | MLetters | 7 | 3 | 258-264 |
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| | 251. | Samson, J. | Influence de Bach sur l'art choral liturgique contemporain en France. | MLiturg(Paris) | 16-17 | 10-15 |
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| | 252. | Hohenemser, R. | Die Pflege der Bachschen Musik in der Gegenwart. | MlRundschau(München) | 3 | 8f |
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| | 253. | Williams, Peter F. | The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. | MQ | 54 | 4 | 503-523 |
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| | 254. | Williams, Peter F. | Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. Texts and Contexts. | MQ | 84 | 4 | 756-775 |
| |
| | 255. | Williams, Peter F. | Why do we need a new book on Bach's Organ Music? | MReview | 38 | 4 | 249-257 |
| |
| | 256. | [Krapp, Edgar]; Adamski-Störmer, Ursula | Edgar Krapp und sein Bach-Marathon in Nürnberg. Der Organist um Gespräch mit Ursula Adamski-Störmer. | MSacra | 113 | 1 | 31-34 |
| |
| | 257. | Thomsen, Knut | Erinnerung an Hermann Melchert. Personalia. | MtblNBG | 65 | 28 |
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| | 258. | Williams, Peter F. | Bach at Edinburgh. | MTimes | 104 | 1449 | 815 |
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| | 259. | Williams, Peter F. | Bach Thoughts from Edinburgh. | MTimes | 106 | 1472 | 771-772 |
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| | 260. | Williams, Peter F. | The Organs of Saxony. | MTimes | 111 | 1533 | 1141-1143 |
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| | 261. | Williams, Peter F. | The French Silbermann. | MTimes | 112 | 1535 | 77-78 |
| |
| | 262. | Williams, Peter F. | Bach Recitatives. Letters to the Editor. | MTimes | 115 | 1579 | 747 |
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| | 263. | Williams, Peter F. | Bach's Seven Fughette. The Organists' Repertory - 19. | MTimes | 116 | 1589 | 653, 655, 657 |
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| | 264. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? | MTimes | 120 | 1636 | 476-479 |
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| | 265. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. | MTimes | 120 | 1637 | 571-573 |
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| | 266. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 3: The suspirans. | MTimes | 120 | 1638 | 648-650 |
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| | 267. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. | MTimes | 120 | 1640 | 816-818 |
| |
| | 268. | Williams, Peter F. | Encounters with the Chromatic Fourth ... or, More on Figurenlehre. | MTimes | 126 | 1707-1708 | 276-278; 339-343 |
| |
| | 269. | Williams, Peter F. | New Bach? [on recently discovered chorales] Letters to the Editor. | MTimes | 126 | 1710 | 452 |
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| | 270. | Williams, Peter F. | Stop Press: Some questions about JS Bach and his organ music. Peter Williams addresses some basic assumptions underlying our understanding of a canonical corpus. | MTimes | 141 | 1870 | 34-40 |
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| | 271. | Williams, Peter F. | Sui generis: some fashionable uses to which Bach is put. | MTimes | 141 | 1871 | 8, 10, 12-15 |
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| | 272. | Williams, Peter F. | Decoding Bach 2: Clouds of witness. | MTimes | 141 | 1872 | 13-15 |
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| | 273. | Williams, Peter | Bach and the organ. | MTimes | 155 | 1926 | 81-94 |
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| | 274. | Williams, Peter F. | Another book on JS Bach? | MTimes | 157 | 1934 | 5-18 |
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| | 275. | Williams, P. F. | A Bach Course. | MTimes | 65 | 977 | 641 |
| |
| | 276. | Armstrong, Thomas | Bach and the English Choralist. | MTimes | 91 | 1289 | 261-263 |
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| | 277. | Ramsey, Basil | Bach Motets at St. James's Piccadilly. | MTimes | 98 | 1375 | 499 |
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| | 278. | Ramsey, Basil | London Bach Society. | MTimes | 99 | 1386 | 442 |
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| | 279. | Abdy Williams, Charles Francis | Reminiscences of a Pilgrimage through the Bach Country. | Musician | 17 | 9 | 590-591 |
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| | 280. | Malmström, Bo G. | Blockflöjten hos Bach och Händel. [The recorder in Bach and Handel.] | Musikrevy | 40 | 223-228 |
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| | 281. | Helms, Marianne | Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 5. Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias. Kritischer Bericht. Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1976. 235p. [Ed.-Nr.: BA 5043-41] | NBA | 1 | 5 | 235p |
| |
| | 282. | Helms, Marianne (ed.) | Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias / Johann Sebastian Bach. Kantaten zum Epiphaniasfest: Sie werden aus Saba alle kommen, BWV 65; Liebster Immanuel, Herzog der Frommen, BWV 123. Kantaten zum 1. Sonntag nach Epiphanias: Mein liebster Jesus ist verloren, BWV 154; Meinen Jesum laß ich nicht, BWV 124; Liebster Jesu, mein Verlangen, BWV 32. Kantaten zum 2. Sonntag nach Epiphanias: Mein Gott, wie lang, ach lange, BWV 155; Ach Gott, wie manches Herzeleid, BWV 3; Meine Seufzer, mine Tränen, BWV 13. Hrsg. von Marianne Helms. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1975. xii, 253p. Ed.-Nr.: BA 5043. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 5) | NBA | 1 | 5 | xii (6p facs), 253p |
| |
| | 283. | Helms, Marianne | Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 30. Kantaten zum Michaelisfest. Kritischer Bericht. Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1974. 156p. [Ed.-Nr.: BA 5036-41] | NBA | 1 | 30 | 156p |
| |
| | 284. | Helms, Marianne (ed.) | Kantaten zum Michaelisfest / Johann Sebastian Bach. Herr Gott, dich loben alle wir, BWV 130. Es erhub sich ein Streit, BWV 19; Man singet mit Freuden vom Sieg, BWV 149; Nun ist das Heil und die Kraft, BWV 50 (Fragment). Hrsg. von Marianne Helms. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1973. xi, 169p. Ed.-Nr.: BA 5036. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 30) | NBA | 1 | 30 | xi (5p facs), 169p |
| |
| | 285. | Platen, Emil; Helms, Marianne | Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 2. Lutherische Messen und einzelne Messensätze. Kritischer Bericht. Kassel [u.a.]: Bärenreiter; Leipzig: VEB Deutscher Verlag für Musik, 1982. 224p. [Ed.-Nr.: BA 5050-41] | NBA | 2 | 2 | 224p |
| |
| | 286. | Platen, Emil; Helms, Marianne (eds.) | Lutherische Messen und einzelne Messensätze / Johann Sebastian Bach. Missa A-Dur BWV 234; Missa G-Dur BWV 236; Missa g-Moll BWV 235; Missa F-Dur BWV 233; Kyrie-Christe, du Lamm Gottes F-Dur BWV 233a; Kyrie c-Moll (Fremde Komposition) aus der Missa BWV Anh. 26 mit Christe g-Moll BWV 242; Sanctus C-Dur BWV 237; Sanctus D-Dur BWV 238. Hrsg. von Emil Platen (BWV 234, 235, 235, 233) und Marianne Helms (BWV 233a, 242, 237, 238). - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1978. xi, 333p. Ed.-Nr.: BA 5050. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie II: Messen, Passionen und Oratorische Werke. Band 2) | NBA | 2 | 2 | xi (5 facs), 333p |
| |
| | 287. | Darmstadt, Gerhart | Auf den Spuren des wahren J. S. Bach. Brauchen wir fünf neue quellenkritische Ausgaben der Violoncellosuiten? | NMz(Regensburg) | 50 | 50-51 |
| ||
| | 288. | Thomson, Virgil | Music in Germany. | NYHeraldTribune | 4 | 5 |
| ||
| | 289. | MS | The Johann Sebastian Bach Journey. Germany 18-24 April 2004. Performance Reviews. [Vol. incorrectly given as 82] | Organ | 83 | 328 | 51-53 |
| |
| | 290. | Williams, Simon | Some Aspects of Playing Bach: Margaret Philipps' Lecture at NOTES Manchester Launch Seminar (summary). | OrganistsReview | 78 | 3 | 209-211 |
| |
| | 291. | Williams, Peter | The International Organ Competition, Leipzig, July 2000. | OrganistsReview | 86 | 4: 340 | 336-337 |
| |
| | 292. | Williams, Peter F. | Johann Sebastian Bach's ideal organ. | OrganistsReview | 94 | 2 | 7-13 |
| |
| | 293. | Williams, Peter F. | Further on Changing Manuals in Works of J. S. Bach. | OrganYb | 29 | 75-90 |
| ||
| | 294. | Williams, Peter F. | More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? | OrganYb | 33 | 139-143 |
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| | 295. | Williams, Peter F. | Again: Was J.S. Bach an expert on organs? | OrganYb | 36 | 86-105 |
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| | 296. | Williams, Peter | Two new editions of Bach's organ music: some questions arising. Review Article. | OrganYb | 41 | 183-212 |
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| | 297. | Vaughan Williams, Ralph; Foster, Arnold (arr.) | THE 'GIANT' FUGUE / J. S. BACH. Transcribed for String Orchestra by R. Vaughan Williams & Arnold Foster. - London: Oxford University Press, 1925. 4p. (= Oxford orchestral series, O6) [BWV 680] | OxfordOrchSer | 6 | 4p |
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| | 298. | Williams, Gerrard (arr.) | BACH PRELUDE from 'English' Suite No.5 arranged [for small orchestra] by Gerrard Williams. - London: Oxford University Press, 1925. 19p. (= Oxford orchestral series, no. O7) [BWV 810/1] | OxfordOrchSer | 7 | 19p |
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| | 299. | Williams, Gerrard (arr.) | A BACH SUITE FOR STRINGS with optional wind and timpani; movements from the piano suites of J. S. BACH. Selected and arranged by Gerrard Williams. - London: Oxford University Press, c1926. 36p. (= Oxford orchestral series, 21) [BWV 808/1, 813/1, 809/4, 816/4, BWV 812/5, BWV 807/5-6, BWV 816/7] | OxfordOrchSer | 21 | 36p |
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| | 300. | Williams, Peter | On Bach and the Organ. A keynote paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012. | [p]ABS_Rochester |
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| | 301. | Williams, Isabelle | Metric Complexity in Bach's Cantata No.182. A paper read at the New York State--St. Lawrence Chapter meeting of the AMS on 15-16 March 1986 at McGill University. | [p]AMS_NewYorkState |
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